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When faced with David Whitfield 'meeting' Mantovani, then a horror scenario of it's own is conjured up, but unlike the above films, this one does not disappoint. Whitefield's faux operatics meet Mantovani's faux classicism in a very real sludge of over emotional overflow that aims high but hits low. 'Cara Mia' likes to think it was specially scripted for Caruso to belt out at La Scala, yet the only thing it calls to my mind are those mock, redbrick mansions built with new money but given an old world air by the application of huge, plastic columns and buttresses that serve no purpose other than to kid eyes bleached clean of all taste and cultural appreciation that they are gazing at something genteel. Hurry up Elvis, fer gawd's sake.
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